Thursday, January 28, 2010

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La conquista del honor, on Invictus, Clint Eastwood


Mr. Eastwood has a record, a solidity and conduct, for his film, blameless.
a director amounting to eighty (b. 1930) but filmed with the vigor and momentum of a forty, or a young person.
An artist who in the past four years was dispatched with two leaflets (in 2006, Conquest of honor and Letters from Iwo Jima , in 2009, and Substitute Gran Torino), and that the current year is updated with your project delayed biopic about Nelson Mandela.
Much water has flowed under the bridge and, in fact, Invictus, whose original title was The human factor is not exactly a biography of Mandela. It is an adaptation of a novel sports and historic "in relation to the Rugby World Cup 1995, who crossed to South Africa and earned him a political move "movie" to Mandela, which emerged victorious. Discuss
Morgan Freeman as Mandela is to refer to a role that is assigned once (in the popular imagination, and repeated rumors and projects) in this noble actor, for his physical condition and the like, and by their own ambitions, and our viewers want to see him as embodying the former South African President and Nobel Peace Prize. Eastwood
few days ago said something very true: "you will see Invictus thinking of a film about rugby will be disappointed." What they said at least made it clear that the film is not your typical story about a big match or tournament, those that have village cinema history of the U.S. This is the story of how a president in his new position, challenges his own people, their admirers and followers, and surprised his detractors, and those who should be their "enemies" carrying out the plan to revive the historic rugby team in South Africa, although South Africa's image mind to another, racist and discriminatory, biased and elitist, remote from popular outside of the new stand, the poor and excluded, now vote. Reasons more than interesting to be adapted to the big screen.
One of the merits of Eastwood, as present in a melodrama Million Dollar Baby , or in the earlier Gran Torino , for instance, is his ability to tell dramatic contexts, situations and even sympathetic histrionic, and Invictus is no exception. From the group of guardaespladas fought two sides, through Mandela's assistant, or situations among athletes in training, all momentous scenes, but necessary, successful, that enliven and make this film a show sober and intense, with tension just as it progressed, and the prevailing warm, thanks to the delivery of Freeman, in a unique and unforgettable work. He looks comfortable, confident, credible, peaceful and spiritual too. Mandela may be a highly idealized, but in the film the restrained goes well. And Matt Damon, in a sharp supporting role, plays his role with correction, but it is worthy of an Oscar nomination, just as Freeman does not deserve to be forgotten by the Academy, and it is.
Eastwood Is the best the last five years? No, his two previous films are penetrating deep into the audience, are part of the melodrama to which both rigor and authority of Clint implemented. However, Invictus is an interesting film, 135 minutes with no weight, action and emotion, decent film.
So Clint is invictus. We want to see what is in your films Clint.

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