What's The Difference Between D And M Width

Question of honor, on matters of principle, Rodrigo Grande


is customary, which has a rigid set that Luppi is repeated again, this story and we saw a thousand times, the actors deserve better characters, the director lost in tailoring. All cons, the most common places.
Yes, it was very well received Matter of Principle. I know, do not share.
The second film from this director Rosario, who chooses to tell it again in their payments, it is starring Federico Luppi, who topped the debut of Rodrigo Grande, Rosarigasinos .
Luppi is a controversial actor. He is hated and loved. In general, film schools, teachers hate it. Some critics appreciate, and others to depose. To a lesser extent, Alterio same thing happens, and those paradoxes of life in Spain are rated.
do not deny that Luppi is the eternal puteador Argentine cinema, repeated several films alter ego of Aristarain, handsome tough, man of few fleas, principles or unscrupulous, but always with similar records. This, despite it is very good actor. And here it is clear that the principal objective was to change a little icon that represents itself. Luppi is tender, humble, friendly, lovely. It is a worthy hero of comedy, and charged to the shoulder of 115 minutes this film, with its absolute presence. Far
best of Matter of Principle is its script. Good plot, effective twists, colorful characters, dialogue worked. All with a patina of freshness, spontaneity, and agility well made genre par excellence of the film: comedy.
It is true that there are no major risks and ambitions from the staging, and the photograph does not help at all in certain scenes. But the music perfectly accompanies the story, and the cast is brilliant, Who else, who less.
Norma Aleandro is to say that is not his best performance. At times, you have tics resembling Standard girlfriend's son , unbearable mother or the baby in hundred times I should not, but they are two completely different roles.
But the most pleasant surprise is the role that you have to play a Pablo Echarri. The actor takes out the juice to a character that certainly allows for the showcasing, and knows to tune all strings to excel in each of the scenes where he appears. As well as the compositions are intimate Pepe Novoa, Oscar Nunez and Oscar Alegre (in just one scene the latter.)
Rosarigasinos I did not see, but enough for me to put this film among the most successful comedies of recent Argentine movies. I think Fontanarrosa would be proud.